The Scottish charity regulator has announced it will investigate Glasgow's Centre for Contemporary Arts, which folded last month, due to concerns raised about its "historic financial management".
“I remember asking them because I remember wanting to know what had happened. I mean, he’s not just dropped down dead. And they just said that a passer-by had found him dead on the street.” Collette Bell, partnerof Sheku Bayoh
It’s now eight years since Sheku’s loved ones were told by police that he had died. That trauma, they say, was compounded by how the news was broken to them.
They claim that a catalogue of errors, miscommunications and lies within hours of Sheku’s death led to a total breakdown of trust that can’t be regained. Police, meanwhile, admit errors were made but insist the intention was never to misrepresent the truth.
In this episode we’ll hear what Sheku’s partner, Colette Bell, and his older sister Kadi Johnson, have told the inquiry about how the news was broken to them, the way details of Sheku’s contact with police was held back and the impact that had on the trust they had for the police.
And we’ll also find out what Police Scotland has to say about the decisions made in the hours following the tragic events on the 3rd of May.
Read the script in full
Written and produced by Karin Goodwin
Research by Tomiwa Folorunso
Recording, editing and sound design by Halina Rifai
Original music by Alan Bryden
Listen to all the evidence from the Sheku Bayoh Inquiry, or find out how to get a ticket to attend in person at www.shekubayohinquiry.scot
To make this podcast we’re spent hours listening to all of the evidence so we can summarise it for you, our listeners. And we need your support to do more.
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Karin is The Ferret’s co-editor and has reported on people, power and planet for the UK’s leading outlets. She co-founded our Community Newsroom in Glasgow and is interested in participatory approaches to journalism. Audio is her favourite medium.
The Scottish charity regulator has announced it will investigate Glasgow's Centre for Contemporary Arts, which folded last month, due to concerns raised about its "historic financial management".
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